All Francesco Albani Oil Paintings

(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
 

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Francesco Albani Apollo and Daphne. oil on canvas


Apollo and Daphne.
Apollo and Daphne.
Painting ID::  79515
  ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in)
  ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in)

Height    Width


  INS/CM       Quality

X

  

Francesco Albani Hermaphroditus and Salmacis. oil on canvas


Hermaphroditus and Salmacis.
Hermaphroditus and Salmacis.
Painting ID::  79560
  between 1591(1591) and 1666(1666) Oil on copper of panel 14 x 31 cm (5.5 x 12.2 in) cjr
  between 1591(1591) and 1666(1666) Oil on copper of panel 14 x 31 cm (5.5 x 12.2 in) cjr

Height    Width


  INS/CM       Quality

X

  

Francesco Albani Apollo and Daphne. oil on canvas


Apollo and Daphne.
Apollo and Daphne.
Painting ID::  79595
  ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) cjr
  ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) cjr

Height    Width


  INS/CM       Quality

X

  

Francesco Albani Cupids to Venus oil on canvas


Cupids to Venus
Cupids to Venus
Painting ID::  79605
  1600(1600) Medium Oil on canvas cyf
  1600(1600) Medium Oil on canvas cyf

Height    Width


  INS/CM       Quality

X

  

Francesco Albani The Cupids Disarmed oil on canvas


The Cupids Disarmed
The Cupids Disarmed
Painting ID::  80091
  between 1621(1621) and 1633(1633) Oil on canvas Height: 202 cm (79.5 in). Width: 250 cm (98.4 in). cjr
  between 1621(1621) and 1633(1633) Oil on canvas Height: 202 cm (79.5 in). Width: 250 cm (98.4 in). cjr

Height    Width


  INS/CM       Quality

X

  

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     Francesco Albani
     (March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.

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